1. |
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(see individual sides)
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2. |
"SADDLIN UP'" (Side A)
19:38
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how'd you like to be my friend til' the end? sharing til' the edge of time. oh you might wanna be in that circle. that's where i wanna be my friend.
oh how can you do what they want you to do? how could you think that's what i want you to do? my friend, till the end. ah. ooh.
now that you've caught my by line, nobody's itchin' is to find
oh now that you've caught my by line baby, i don't need it now
yes i don't, yes i don - - - - - - 't ah
you've gotta cross that hill when it comes your way. don't be afraid of what's not coming today. you've got to let me go 'cause when i overflow, you know it's gonna be me who's showing me how to be. well, alright!
and everybody is like everyone. get out of my way, let this web be spun. you will be nice to me 'cause what's inside of pete is valuable, you'll see. and that's why i'm gonna be, well, alright!
effortlessly skirting around the reason. doing just as he pleases. but he thinks about what's there. and sometimes, you know, it's gonna make her angry. and i know that they know, what we know, how it goes, when we throw all of this away.
and i don't want to go there. i don't even want to know that.
but it is taught when you've got to get it going.
but i think about what's there.
all that we know is that he's gotten pretty eager. and me grating my head, deep skating to the center of what's there. mm.
and i don't want to go there. i don't even want to know that.
but who can stop this robot, mama, you can't stop me
no, you can't
no you can't stop, you cannot stop
you know it's my tongue in my mouth
and it's got me headed south
but all these things, they hang from strings, baby
i don't like that
no i don't, no i fucking don't
i'm just tired, you could see that in my face (baby). well if you look at me, i'll swear it's not a lie. but my lie is fire, burnin'in you to disgrace
all my lies, all my lies
all my lies they're made for you - who
so back again, i'm comin' through, but it's your space. if you regret it, i'll make sure that you taste-(ah) my dirty fingers running amok through the white paste..
all my lies, all my lies
all my lies they're made for you - oh
[(farhan solos)
insert rockin' trade off
(nick solos)]
so here we are stood in front of an old place - - ah, you look at me and what do you see (shaowoneb?), we both know we should like to erase..
all these lies, all these lies
all my lies, all my lies
all my lies they're made for youuuuuuuuuuuuuuuuu
(oawwoooooowaahhaoooohhhhowhsyesbbawwwwbabeawwwwwvabgeegootttasshhhsquietdownsshhhshhhshhhshhhhhhhhh)
[(milena solos) melting occurs]
take good care of yourself, yeah
it's hard to be-he-hee put on the shelf, oh lord
if you need for me to give up my wealth (wealth)
for to put on the shelf . . .
take good care of yourself, hey
oh oh oh, it's hard to be-he-hee put on the shelf, oh yes it is
if you need for me to give up my wealth for to
put on the shelf . . .
find yourself sometimes, you're put on the shelf
boy you need to *bck* *ktch*
but then you find yourself sometimes, you're put on the shelf
well boy you need to find me somebody else
(yeah that's what i said)
(but i didn't really mean it so)
that's why you take good care of yourself
it's hard to be put on the shelf
if you need for me to give up my wealth for to put on the shelf
for to put on the shelf, ah baby
wealth for yourself------a-aaaaeeeee??
now that i have got you my dear, in a sphere. i'm making sure you're using your ears. everything inside of that circle is just love happiness and cheers.
oh, how can you say what you wanted to say? how did you think that you could talk that way to me?
but i'll just let it be
'cause i'm fine. oh yes.
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3. |
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oh Benzy, what can i do? when i'm living without you this nervous feeling it cuts through. maybe i'll just let you rule me. oh, every time you return, you know, it makes my soul churn. oh, when will i learn? feels good to let it pass me by. oh Benzy, take me away to ambivalence and gray. that's where i'll stay for every lost day. in time i'll pay for every lost day. in time i'll pay.
[pete plays with themself]
[pete makes fun] of you
[pete plays a bit more with the sand and toys]
oh, you got to reason with me, you got to reason with me, you've got to reason with me girl
yeah, you've got to reason with me, you've got to reason with me, you've got to reason with me girl
oh, 'cause i understand how to make ammends but you don't wanna talk about it. and with this reprimand comes a new rebrand but you don't a want no talkin' about it, nah
'cause you can't stand. baby, baby you can't stand no no more. oh yeah.
baby, you can't stand, oh, for you. for you.
[1,2,3,4,5,6] for good measure
you've got to reason with me, you've got to reason with me, you've got to reason with me girl
yeah yeah, mmm you've got to reason with me, you've got to reason with me, you've got a reason limiter
'cause when life gets you down [i've got no problem with the reason-nuh] it's so hard to be around you (all that it takes is a little time)
'cause you slow [and when i didn't tell, you i felt guilty.] down, (to be sure of yourself.) freeze up, and (and then, you've got to be getting it right.) kill the sound
that i need [you don't have to have that feeling] as a (and if you got this problem with me) self loathing narcissist [if you don't want to!]. (you've got to understand) you're making it [you've just gotta let it go my friend.] kind of hard for me to exist. (that we have it together.) oh baby,
you've got to play by my rules 'cause i'm playing it cool, yeah.
cuz baby, baby, you can't stand. nah baby, you can't stand no-woah more. no no no more. baby you, you, you can't stand-uh. no, you can't stand!
["how'd you like a beaver to drown in your pool?" asks the synthesizers]
[motorik responds, gently. beer bottle dance. "is that three?" somebody asks.]
[a collapse is a jazz cue, for jazz]
"and now that we're bringing it on back folks, we're reelin' it in! we're comin' on back to the peter campanelli show, and is a welcome back, then a i'd like to bring it welcomed on back for our host, peter, yeah! everybody give it up for... (hyuck) peter!"
[theme plays]
"so so, uh uh, peter peter was was it it, what what did did you you really really think think about about coming coming
TO TO this this place place to do to do this this sort of sort of record? record?"
um, it's really just my bedroom, uh
"and and you you think think that that was was really really the the best best decision decision you you could've could've made? made? i i mean mean you you had had the the
tape tape deck-deUHck-UH right right there there for for yuh yuh but.. but.."
yeah, i just went with the digital..vocal but-
"i i hear hear ya ya, muh muh, you you do do with with, uh, uh, whatcha whatcha can can do do, you you make make do do with with the the choices choices you you make make"
let's listen to this song about a man who killed his wife.
[crazy farmer takes mic]
everytime that she calls my name, you know it feels like i could see ha again
but my lover died in lot's of pain in a large fire. but her voice is in my
brain, lord. but it doesn't even make a sound
in vain, lord. both of our hands are bound
but oh my god, her voice, it's in my brain. oh-woah, lord.
everyone, baby, in this whole town is gonna tell you that i burned it down. but i, i-hi swear i don't have it around in my brain ah-lord, it cannot be found, cause i'm sain lord............ (don't listen to that guy)
'cause i'm sain, lord. i don't ever even frown
i'm trained, lord. that's why i'm still around
but oh my god, her voice it's in my, brain..... it's in my brai-hey-ay-hey-ain
oh woah woah woah woah, oh woah
it's in my brain, it's in my brain, i'm goin (nyineh-cosa-wahaneoh)
oh baby yeah
[pete, on the mic]
Benzy, what can i say? when you look at me that, i know that nothing is okay. ev-very lost day, in time i'll pay for every lost day.
in time i'll pay, oh yeah i'll pay.
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4. |
a horse, of course
03:34
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you know it makes me feel bad when i take it, but even worse when i don't
you know it makes me feel bad when i take it, but even worse when i don't
when i don't, don't, don't, don't
whatchuwant uwereremention thatimnotfroum babypayattention towhatchuwant en zenasentoolongyea you follow them out
but whatchu want was zenasentoolongyeaaaa
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Peter Campanelli Seattle, Washington
music made for me and for you
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